While she was seen in Mike Leigh’s All Or Nothing and as Arabella Figg in Harry Potter And The Order Of The Phoenix, cinema has been something of a sideline to date for the New York-born performer of Greek parentage, who trained at the Royal Academy of Dramatic Art (RADA). Every single day there was the possibility we were going to be shut down.” Screen presenceĭespite the superstition, The Tragedy Of Macbeth has been nothing but propitious for the 64-year-old Hunter, whose striking contribution to Coen’s stark retelling has alerted a new audience to her theatre-honed talents. Our producer Robert was holding his breath because, by then, LA had become the virus epicentre. Joel was behind a screen in a mask and all of his team were in full PPE and shields. “We were picked up by a limousine and driven straight to a hotel where we had to quarantine.”īy the time she returned to the studio, “the set was like a hospital. Restarting four months later, the production flew Hunter and the other UK actors on a private jet so they would not have to go into the airport. Coen, who produces alongside McDormand and Robert Graf, “had probably shot 70% of the film” before shutting down in March 2020. “It was an extraordinary time,” recalls Hunter, a longtime staple of the UK stage who is best known at home for her work with London-based experimental theatre collective Complicité. They had reason to think again, though, when Covid-19 struck two-thirds of the way through shooting on the Warner Bros lot in Los Angeles, shutting down production and sending all involved, Hunter included, back to their homes for the foreseeable. According to actress Kathryn Hunter, the film’s director Joel Coen and his wife Frances McDormand had regarded such superstition as “nonsense” as they set about creating a new black-and-white version of the drama. Macbeth, Shakespeare’s dark tragedy of ambition, regicide and madness, has a reputation for being his unluckiest play - so much so that some actors will not let its title be uttered in their presence.
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